Directed by Cate Shortland
Starring Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle, William Hurt, Ray Winstone, and Rachel Weisz
Marvel Studios is finally back! Well, that seems a little disingenuous to say. They’ve been doing pretty well on Disney+ with WandaVision, The Falcon and the Winter Soldier, and Loki. It’s more accurate to say they’re back on the big screen. Black Widow got screwed around with quite a bit because of COVID. Originally supposed to come out in May of 2020, but the closure of movie theatres saw it get pushed back and pushed back. Finally, Disney decided to give it one of their hybrid releases. If movie theatres are open in your part of the world, you can go down to the theatre and see it. If they’re not open, or you’re not comfortable going out just yet, you can drop $30 ($35 CDN) to see it on Disney+. Plus, throw in the fact that it’s Black Widow. The fans have been clamoring for a Black Widow solo film ever since Scarlett Johansson made her debut as the character in Iron Man 2. It’s been a long road for Black Widow to get here…was it worth the wait?
Taking place in the months immediately after Captain America: Civil War, we find Natasha Romanoff living in hiding, officially on the run for being on Team Cap. As she prepares for a life of self-isolation, she soon receives a mysterious package. It turns out that the Red Room — the sinister former Soviet spy agency that trained her — is still very much active. Natasha’s sister Yelena, also a Black Widow recruit, has finally escaped from the organization, and wants Natasha’s help to bring it down once and for all. But they’re going to need help. First they call on Red Guardian, the Soviet Union’s answer to Captain America and their surrogate father. Then they call on Melina, their surrogate mother and one of the original Black Widows. But the Red Room’s got allies of their own, namely a deadly assassin known as the Taskmaster, who can learn any fighting style just by watching someone. Will this family reunion finally be able to bring down the Red Room?
What I Liked
This film is a lot grittier than most Marvel films. It’s also a lot more grounded, too. We see the bruises that Natasha accumulates and are reminded that she’s not really a superhero…just a highly trained spy. And that leads into the main thrust of the plot. This is very much Natasha’s redemption story. We’ve been hearing about that red in her leger since The Avengers, but now we finally see how it’s affected her life and her family relationships. The new characters are fun, too. Florence Pugh is great as Yelena, as she and Natasha instantly have a bickering sisterly relationship. David Harbour is also great as Red Guardian, bringing equal parts humour and pathos as the retired supersoldier who longs for his glory days, but for his final act, just wants to do right by his daughters. And we’ve also got the stuff that Marvel has down to a science at this point. The characters got their appropriate quips, and the action scenes are pretty good.
What I Didn’t Like
Speaking of stuff that Marvel is good at, “under-developing their villains” remains high on the list. We really don’t get a chance to know the sinister forces in charge of the Red Room or what their motivations are. And after some truly spectacular music scores as of late, Black Widow goes back to having some music that’s kind of generic.
A friend asked if it was a gritty spy thriller like Captain America: The Winter Soldier, but honestly? It reminded me a lot of Ant-Man: with the main thrust being characters and family relationships, the stakes feel smaller. But this deep dive into Black Widow was long overdue. It may not fill you up, but it definitely leaves you satisfied.